You are the greatest love I almost had
Sharpening vague lines
On ships passing in the night
You are the greatest love I almost had
Sharpening vague lines
On ships passing in the night
There was an aureole burning
On the chandler’s son, from whom
His mother bought their evenings
Reading in the drawing room
With but four humours, how
Was he to describe an ambush
Springing from deep eyes, how
To explain near-transparent flesh
Or a voice downwind of Eden
–
In a world one shade brighter
He has hay-stung afternoons with
Translucent light leaving weals
Perfect, and gone too swiftly
His mother reads flickering print
And he is listening to the voice
Of the chandler’s brown-haired boy
Her nails were pine green to match her dress, and she knew that he was looking at them. She didn’t usually paint her fingernails. Even looking away, at this point, could be a provocation.
She looked away anyways. She wished that they were stranded deep in a forest in winter, snow creeping hot then wet then blisteringly cold up from her ankles.
Somehow, for him to actually lift up one of her hands – fingertips under fingertips – was the last thing she expected.
“Did you paint them just for the party?”
It was crowded, the sour haze of alcohol, and they were standing in their own little pocket by the sink. A window flung wide open, a searing January wind. That was what she needed. Her hand shot backward to hide between her skirt and the counter.
She could not do anything about the hand holding her glass, however.
Alone, she would be three lights ahead and going sideways between a lamppost and a garbage bin to get ahead of that slow-moving family.
Instead his arm is a leash and when she tries to hurry at the end of the walk signals his disparagement has her ashamed at consideration for others. Never mind personal safety, or respect for the rules of the road.
She should not be proactive about trying to move out of the way of people’s pictures. She should not try to pull him back from a subway map when others are trying to look too.
He sees her half-assed, and struggling against instincts for speed, for politeness.
He isn’t there when her ankles are flashing, her chin up and eyes scanning. Anticipating when the lights will turn. He doesn’t see her weaving through a crowd, or skirting two girls taking pictures on the bridge, without breaking stride. Zipping down the stairs into the park.
He doesn’t know what she is like when she is walking without him.
In quizzing the precise meaning
Of words down to the quarter note
And noticing my eyes crinkling
And saying that I smelled
Of shampoo and diligence
You inadvertently named me
Then I felt how I had not
Been called by name before
Laughing is
A tangerine in winter
And you’re the citrus of my mind
| Heart on Fire |
Thoughts, Stories, Poems
Un poème n'est jamais fini, seulement abandonné. A poem is never finished, only abandoned."Paul Valéry"
The Poetry of Emotion
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My Own Paradise: Life on Seven and a Half Acres